{"id":942,"date":"2018-09-25T22:57:34","date_gmt":"2018-09-25T22:57:34","guid":{"rendered":"http:\/\/winchesterfilmfestival.com\/?page_id=942"},"modified":"2024-11-14T06:13:28","modified_gmt":"2024-11-14T06:13:28","slug":"long-list","status":"publish","type":"page","link":"https:\/\/winchesterfilmfestival.com\/?page_id=942","title":{"rendered":"Long List 2024_25"},"content":{"rendered":"\t\t
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WFF_2024\/25 Long List<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Important information for filmmakers<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Below are the films that have been selected for the WFF_2024\/25 Long List.<\/strong> <\/p>\n

The  Long List<\/strong> contains the films selected to be put forward for consideration by the Selection Panel<\/strong> for  the Official Selection<\/strong> (the films selected for screening).  Please note: <\/b>The Long List is NOT the Official Selection.<\/p>\n

Films selected for the WFF_2024\/25<\/strong> Official Selection<\/span> (screened at the festival and eligible for laurels) will be published on 30th November 2024.<\/strong> <\/p>\n

The Award Winners<\/strong> and Special Mentions<\/strong> of each category will be announced during Part 2 of the festival, which will take place in November 2025.  (dates to be confirmed). Part 1 of the Festival will take palve in March 2025.<\/p>\n

Please note that only films included in the WFF_2024\/25 Official Selection<\/strong> are eligible for festival laurels<\/strong>. <\/p>\n

Our social media tags are: @winchesterfilm (instagram & X)<\/p>\n

If your film or a film you represent is included in this Long List and the title or director’s name are not correct, please contact us at myfilm@winchesterfilmfestival.com (using as subject matter: Correction to Short List 2024\/25 + title of your film) so that we can correct it immediately. We know how important this is to you.<\/p>\n

For urgent enquiries call: +44 (0)7734470633 (WhatsApp Only)<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Feature Film Award<\/span><\/strong><\/h1>

Satu – Year of the Rabbit | <\/b>Joshua Trigg<\/span><\/p>

Red Monet | <\/b>Halder Gomes<\/span><\/p>

The Kingdom By The Sea | <\/b>Richard John Taylor<\/span><\/p>

Travelling through my mind | <\/b>Matthew Peter littlechild, Sam Eadalani<\/span><\/p>

Signs of Life\u00a0 | <\/b>Joseph Millson<\/span><\/p>

Angels Don\u2019t Buzz | <\/b>Aleksandr Seliverstov<\/span><\/p>

My Native America | <\/b>Jim Warne<\/span><\/p>

Sound of Love\u00a0 | <\/b>Ayuta Yoshikawa\u00a0<\/span><\/p>

There and Back | <\/b>Oleg Asadulin<\/span><\/p>

The Four Seasons | <\/b>Maxim Shabalin<\/span><\/p>

All This Time | <\/b>Rob Worsey<\/span><\/p>

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Best Foreign Short Film<\/span><\/strong><\/h1>

154 <\/b>Andrea Sbarbaro, Riccardo Copreni<\/span><\/p>

Blue river <\/b>zitong<\/span><\/p>

3.400KG | <\/b>Atefeh Nafari<\/span><\/p>

A Good Day Will Come | <\/b>Amir Zargara<\/span><\/p>

A street view | <\/b>Loreto Saiz, Alfonso Villanueva Garc\u00eda<\/span><\/p>

A Summer’s End Poem | <\/b>Lam Can-zhao<\/span><\/p>

A Walk with Kate | <\/b>Gaia Mitting<\/span><\/p>

Bluatstilln- To Remind Me of Life | <\/b>Julia Rosa Peer, Roland Silbernagl<\/span><\/p>

Broken Hearts | <\/b>Julie Magnaudet<\/span><\/p>

Call me Lala | <\/b>Zuzanna Sor\u00f3wka<\/span><\/p>

Childhood Friends | <\/b>Jana Filzhuth<\/span><\/p>

Crease | <\/b>Demitri Zujew<\/span><\/p>

CUT | <\/b>Saba Amiri, Peyman Ezzati<\/span><\/p>

Dig | <\/b>Jandro<\/span><\/p>

Divine accounts | <\/b>Eul\u00e0lia Ramon<\/span><\/p>

Dreamfinity | <\/b>Monika Grzybowska<\/span><\/p>

Encore | <\/b>Noam Buchbinder<\/span><\/p>

Entropy | <\/b>Anna Fam<\/span><\/p>

Fairytales are for Losers | <\/b>Nick Page<\/span><\/p>

Gentle Wind | <\/b>Marta Arjona, Maite Blasco<\/span><\/p>

Good t\u2019see ya | <\/b>N\u00fcll Garc\u00eda<\/span><\/p>

Gritty Eyes | <\/b>Juraj Jani\u0161<\/span><\/p>

Happy Place: Jedda | <\/b>Titas Miciulis<\/span><\/p>

Have a Good Day | <\/b>Lisa Soper<\/span><\/p>

Icetea | <\/b>Alessia Buiatti<\/span><\/p>

Jalopy\u00a0 | <\/span><\/b>Sal Ardongde (he\/him)<\/span><\/p>

Kazhal | <\/b>Ali Azhari<\/span><\/p>

Matterhorn | <\/b>Anne Madeleine Mancosu<\/span><\/p>

Memorable Night | <\/b>Romain Fleury<\/span><\/p>

Missing Verses | <\/b>Jiaxin Wang<\/span><\/p>

Mum | <\/b>Julia Patey<\/span><\/p>

Padre | <\/b>Giulia Cafagna<\/span><\/p>

Pick its Name | <\/b>Parinaz Kabiri<\/span><\/p>

Portions for Foxes | <\/b>Dominic Vaughey<\/span><\/p>

Queens | <\/b>Sara Bustamante-Drozdek<\/span><\/p>

Shift Change | <\/b>Mark Hensley<\/span><\/p>

Speaker | <\/b>Alan Hamwan<\/span><\/p>

Spectre | <\/b>Ze Hu<\/span><\/p>

Strangers Like Us | <\/b>Pipi Frostl, Felix Krisai<\/span><\/p>

Sucker’s Death | <\/b>Krzysztof Grudzi\u0144ski<\/span><\/p>

The Bloody Family | <\/b>Amir Karami<\/span><\/p>

The Pain of Being | <\/b>Jes Pace<\/span><\/p>

The Trunk | <\/b>Tony Susi<\/span><\/p>

The Voice Of Dogs | <\/b>Mohammad Reza Nazi<\/span><\/p>

The Yellow Wallpaper | <\/b>Jen Cale, Hannah Snowden<\/span><\/p>

Tribu | <\/b>Carlos G\u00f3mez-Trigo<\/span><\/p>

Uplift | <\/b>David Garc\u00eda D\u00edaz, Rut Garc\u00eda D\u00edaz<\/span><\/p>

Warsaw Story | <\/b>Jan Ku<\/span>\u017a<\/span>nik<\/span><\/p>

Zum See | <\/b>Federico Fasulo<\/span><\/p>

Best British Short Film<\/span><\/strong><\/h1>

16 | <\/b>Ryan Kochberg<\/span><\/p>

A Different Path | <\/b>Jericho Reid, Isaiah Berra<\/span><\/p>

A Sunday In the Vale of Tears | <\/b>Maxine Sibanda<\/span><\/p>

Art | <\/b>Ben Kernow<\/span><\/p>

Autumn of Life | <\/b>Emma Heal<\/span><\/p>

Better the Neville You Know | <\/b>Paul Stainthorpe<\/span><\/p>

Black of my Eye | <\/b>Mitch Kalisa<\/span><\/p>

Bone Dry | <\/b>James Crafford<\/span><\/p>

Caged | <\/b>Anastasia Marshall<\/span><\/p>

Caterpillar | <\/b>Dorny Sunday<\/span><\/p>

Chugger | <\/b>Rizan Fateema<\/span><\/p>

Conflict | <\/b>Sasha Dulerayn<\/span><\/p>

Dear Departed |<\/b>Lauren Sims<\/span><\/p>

Dirty Talk | <\/b>Nico Rao Pimpar\u00e9<\/span><\/p>

Dissimulation | <\/b>Sam Weeks<\/span><\/p>

Don’r Even Know You | <\/b>Anna Volosnik<\/span><\/p>

Don’t Let the Bedbugs Bite | <\/b>Kelly Diap\u00e8re<\/span><\/p>

Exchange Rate | <\/b>Emma Stansfield<\/span><\/p>

Goodbye Train | <\/b>Chioma Ejimofo<\/span><\/p>

Grey Mare | <\/b>Jack Fielder<\/span><\/p>

Hard Times | <\/b>Elliott Gonzo, Elliot Warren<\/span><\/p>

Helen of Troy’s | <\/b>Nick Fl\u00fcgge<\/span><\/p>

Horse | <\/b>Oliver Woolridge<\/span><\/p>

Hungry Like The Wolf | <\/b>Kieran Dee<\/span><\/p>

I came up here to clear my head | <\/b>Thor Klein<\/span><\/p>

I Don’t Like Shitting in Public | <\/b>Ken Abalos<\/span><\/p>

In This Moment | <\/b>Andrew Fitzgerald<\/span><\/p>

Indigo Blues | <\/b>Milton Gibney<\/span><\/p>

Jujuman | <\/b>Tony Ogunyinka<\/span><\/p>

Just Be Awesome\u00a0 | <\/b>Ed Kear, Cringo Williamson<\/span><\/p>

Keep The Faith | <\/b>Charlene Jones<\/span><\/p>

Lequando | <\/b>Roxanne Rapp, Eric James Gravolin<\/span><\/p>

Mafia | <\/b>James Cleave<\/span><\/p>

Making Up | <\/b>Ryan Paige<\/span><\/p>

Marrow | <\/b>Stephen Smart<\/span><\/p>

Mouse! | <\/b>Max Fisher<\/span><\/p>

Mr & Mrs Wilcox | <\/b>Donovan Wardroper<\/span><\/p>

Mr Apple | <\/b>Ian D. Fleming<\/span><\/p>

Murder For Dummies (Episode 01: Victim) | <\/b>J.W. Roberts<\/span><\/p>

National Treasures | <\/b>Will Wright<\/span><\/p>

On The Corner Of Nowhere | <\/b>Finn O’Toole<\/span><\/p>

PATIENCE | <\/b>Louis Chan<\/span><\/p>

Pee Fright | <\/b>Matt Colin Evans<\/span><\/p>

Red Sky at Night | <\/b>Kieran Stringfellow<\/span><\/p>

Remains | <\/b>Robert Duncan<\/span><\/p>

Resonance | <\/b>Lincoln Waldron<\/span><\/p>

Safe | <\/b>Debbie Howard<\/span><\/p>

Sage | <\/b>Max Blustin<\/span><\/p>

SELL SELL SELL SALES | <\/b>Jack Trowbridge<\/span><\/p>

Shade | <\/b>Thomas Nangle<\/span><\/p>

Shortbread | <\/b>Andy S. McEwan<\/span><\/p>

Sweet Potatoes | <\/b>Jake Meniani Meniani<\/span><\/p>

The Barn | <\/b>Jonathan Paul Brooker, Chichester Filmmakers<\/span><\/p>

The Carrot | <\/b>Joakim Benum<\/span><\/p>

The First Time I Never Met You | <\/b>Eric Kole<\/span><\/p>

The Future Can Be Yours | <\/b>Simon Ball<\/span><\/p>

The Gift of Life | <\/b>Amirhossein Hatami<\/span><\/p>

The Goods | <\/b>Thomas Nangle<\/span><\/p>

The Nun Slayer | <\/b>Ben Bovington-Key<\/span><\/p>

The Other Woman | <\/b>Cameron Lee Horace, Sophie Colquhoun<\/span><\/p>

The Promise Goblin | <\/b>James Atkins<\/span><\/p>

The RedRoom | <\/b>Sophie Cohen, Michael Lindsay<\/span><\/p>

The Vampire Theory | <\/b>Dominic Grose<\/span><\/p>

Tunnels | <\/b>Paul Bloomfield<\/span><\/p>

Two Lifetimes | <\/b>Aaron Singh<\/span><\/p>

Verrucaway | <\/b>Magnus McCullagh, Charlie Brafman<\/span><\/p>

What Men Do For Love | <\/b>Sai Karan Talwar<\/span><\/p>

What We Wished We Could Be | <\/b>Luke Shelley<\/span><\/p>

Where’s Mum? | <\/b>Rachel Stephens<\/span><\/p>

Winter Song | <\/b>Kate Graham<\/span><\/p>

Work Order | <\/b>Dayle Saunders<\/span><\/p>

Best Short Documentary<\/span><\/strong><\/h1>

30s are (NOT) the new 20s | <\/b>Juan Vicente Castillejo<\/span><\/p>

Arena | <\/b>Khalil Charif<\/span><\/p>

Britain’s Naked Christians | <\/b>James Dunlop<\/span><\/p>

Gods of Clay | <\/b>Amit Bhattacharya\u00a0<\/span><\/p>

Hallelujah Forever | <\/b>Odveig Klyve<\/span><\/p>

Memory | <\/b>Riyadh Haque<\/span><\/p>

Reign \/ Herrschaft | <\/b>David Graudenz<\/span><\/p>

THE CIRCLE | <\/b>Evgeniy Bakirov<\/span><\/p>

The Influence of Ping Pong is Big | <\/b>Caleb Yule<\/span><\/p>

The People’s Phoenix | <\/b><\/span>Christopher Linton<\/p>

‘UK – Ukraine Together’ documentary | <\/b>Helen Popova<\/span><\/p>

Best Animated Short<\/span><\/strong><\/h1>

A Christmas Tale | <\/b>Natalie A. Evans<\/span><\/p>

A pleasure | <\/b>Sonia Estevez<\/span><\/p>

And don\u2019t call me crazy | <\/b>Dorota Skupniewicz<\/span><\/p>

Are You Home? | <\/b>Megan Cork<\/span><\/p>

Bright White Light | <\/b>Henna V\u00e4lkky, Eesu Lehtola<\/span><\/p>

Cave | <\/b>Jan Zhou<\/span><\/p>

Fall | <\/b>Demeter Dykes<\/span><\/p>

Feferle | <\/b>Alica Khaet<\/span><\/p>

Metal Flower | <\/b>Seoyun Kim<\/span><\/p>

MoMo & LuLu | <\/b>Anita Kwiatkowska-Naqvi<\/span><\/p>

Monsieur Marcels Very Unlucky day | F<\/b>rankie William Robert Baxter<\/span><\/p>

Pepper Tongue | <\/b><\/span>Alex Benbow-Carter<\/p>

Piano Hand | <\/b>Emi Yining Sun<\/p>

Sun Scream | <\/b>Amar Dusanjh<\/span><\/p>

Undertow | <\/b>Justin Taylor<\/span><\/p>

Wild Eye Pub | <\/b>Filip Nerold

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Best Foreign New Director<\/span><\/strong><\/h1>

Don’t Let the Bedbugs Bite | <\/b>Kelly Diap\u00e8re<\/span><\/p>

Fairytales are for Losers | <\/b>Nick Page<\/span><\/p>

The Yellow Wallpaper | <\/b>Jen Cale, Hannah Snowden

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Best British New Director<\/span><\/strong><\/h1>

Crocodile | <\/b>Liam Steers, Frankie Lipman<\/span><\/p>

Hello Again, Nice To Meet You | <\/b>Finn O\u2019Toole<\/span>\u00a0<\/span><\/p>

END<\/p>

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Newsletter<\/b><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Keep up to date with all festival news, screenings and key dates by signing up to our newsletter. We'll only send you news directly related to the film festival and won't share you details with anyone.*<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Contact Us\u00a0
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For general enquiries about the festival and festival screenings, please email enquiries@winchesterfilmfestival.com<\/b> <\/span>
<\/span>or you can get in touch via our contact form<\/b><\/span>.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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For enquiries about partnerships and sponsorships, please email enquiries@wfa.uk.com<\/b>\u00a0<\/span>
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Winchester Film Festival is run by Winchester Film & Art CIC
www.wfa.uk.com<\/span><\/a>
Responsible also for the satire magazine SMUG
www.smugwinchester.com<\/span><\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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copyright @ 2018 Winchester Film Festival\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

WFF_2024\/25 Long List Important information for filmmakers Below are the films that have been selected for the WFF_2024\/25 Long List.  The  Long List contains the films selected to be put forward for consideration by the Selection Panel for  the Official Selection (the films selected for screening).  Please note: The Long List is NOT the Official Selection. Films selected for […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ocean_post_layout":"full-screen","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"on","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"off","ocean_display_footer_bottom":"off","ocean_custom_footer_template":"","footnotes":""},"class_list":["post-942","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/winchesterfilmfestival.com\/index.php?rest_route=\/wp\/v2\/pages\/942"}],"collection":[{"href":"https:\/\/winchesterfilmfestival.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/winchesterfilmfestival.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/winchesterfilmfestival.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/winchesterfilmfestival.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=942"}],"version-history":[{"count":169,"href":"https:\/\/winchesterfilmfestival.com\/index.php?rest_route=\/wp\/v2\/pages\/942\/revisions"}],"predecessor-version":[{"id":3989,"href":"https:\/\/winchesterfilmfestival.com\/index.php?rest_route=\/wp\/v2\/pages\/942\/revisions\/3989"}],"wp:attachment":[{"href":"https:\/\/winchesterfilmfestival.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=942"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}